In this age of everything, everywhere, online, I’ve heard many people ask why the San Diego Comic-Con, July’s annual celebration of film, television and etcetera, has held out on live-streaming the panels and events which make up the convention’s core.
Yes, it’d be a major infrastructure demand, but the cameras are already set up, after all, and given the rate at which badges sell out, a paid live-stream offering would likely have no trouble finding an audience. Watching the action of SDCC unfold from the cheap seats this year, though, it seems the reason parent company Comic-Con International has held out is because live-streaming is unnecessary. Its attendees are doing the work for them.
In 2003, I began regularly attending the San Diego Comic-Con, and everyyear since I found it to be, essentially, pop culture Christmas. From watching Joss Whedon directly address questions about a Dr. Horrible sequel
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